Things like that used to bother me because I thought Paramore was a good band and it seemed stupid that people found it hard to pinpoint what they were. A few years ago, the Los Angeles Times described Riot! single “That’s What You Get” as having some “screwy off-time math-core” in it.Īnyway, it doesn’t matter. One could – and maybe should – argue that nobody at Rolling Stone knows how to write about music anymore, but even they are rarely that far off-base. What is it about Paramore that makes music critics forget how to write? In the Rolling Stone review for this album, the terms “emo-metal,” “post-emo,” and “pop-metal” are all used, and the entire review is only three sentences long. Review Summary: This is some fucking foolishness right here.
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